Architectural fiction
Reality or fantasy, true or false, built or unbuilt, nonfiction or fiction. Every piece of architecture created or dreamed of exists somewhere within these opposing words. From the conception of a singular inspirational idea to manifestation of real space. When and what denotes when a piece of architecture transitions from fiction to reality is not as clear. The connotations attached to each of these words; reality or fantasy, fiction or nonfiction seems to call upon preconceived ideas embedded within. This also seems to be playing both enabler and inhibitor of our ability to talk about architecture. As the field of architecture progresses through new technologies these labels are being challenged by questioning not only what is real or fiction, but what makes architecture real?
Places are hence designated by nouns. This implies that they are considered real “things that exist”, which is the original meaning of the word “substantive”. Space, instead, as a system of relations, is denoted by prepositions, in our daily life we hardly talk about “space”, but about things that are “over” or “under”, “before” or “behind” each other, or we use prepositions such as “at” , “in”, “within”, “on”, “upon”, “to”, “from”, “along”, “next”. All these prepositions denote topological relations of the kind mentioned before. Character, finally is denoted by adjectives, as was indicated above. A character is a complex totality, and a single adjective evidently cannot cover more than one aspect of this totality. Often however, a character is so distinct that one word seems sufficient to grasp its essence. We see, thus, that the very structure of everyday language confirms our analysis of place (Schulz 1996).
This excerpt from genius loci is purely a dialect analysis of architecture and the way we can define it. In this writing Schultz states that to define architecture, we need to look no further than the words to talk about it. Defining architecture only by the words, or types of words used to describe it, with the emphasis being placed on the relationship or experience from a individual’s perspective. By defining architecture this way we are not arbitrarily classifying what is real, but uncovering what is real or true through the language.
Schulz, in his essay Genius Loci theorizes that architecture is defined by; nouns, prepositions, and adjectives. Each of these linguistic tools allow for architecture to become real through described experience. The use of nouns describes real tangible objects within architecture. A wall is a noun and therefore absent of the individual perspective until the inclusion of prepositions. These allow for referencing the relation of the wall to one’s self; i.e. over, under, beyond, behind. Prepositions allow and build the foundation for which experience is conveyed and described by establishing reference. Lastly The use of adjectives to describe character of both the previously used nouns and prepositions e.g. the coarse masonry wall acts as a back stop to the sunlight, which highlights its texture.
In this analysis one can see the fundamental role that “nouns” or real tangible objects play in establishing architectural experience through prepositions and adjectives. These latter two linguistic tools, prepositions and adjectives makes an emphasis on the individual through reference by never forgetting the importance of the self. So, in this we see a multipart definition of truth. Nouns being of objective universal truth and prepositions along with adjectives based in empathy. The question left is whether one can exist without the other and still be “true”.
New advance in fields like virtual reality(V.R.) have brought to light this question of what does it mean to be real? Or how do we now define fiction? Now new advances in V.R. allows for visceral experience that are approaching if not rivaling what was previously thought to only be accomplished only through “reality”. This challenge or rethinking of our reality shows not only the relevance, but the importance of Schulz’s writing. If we apply this analysis to virtual reality, we still use the same language. In fact, it may only be through words that architecture can exist. Through this melding of space and words, one being defined by the other do we get architecture. The irony being that words themselves cannot be true or false, yet they can be both reality and fiction.


